The Pencil of Error: Glitch Aesthetics and Post Liquid Intelligence.” Photography and Culture 10 (1): 37-52. 2017.

Eight Thoughts on Scale, the City, and The Ethics of Earth Art.” In Plastic Blue Marble, ed. Ted Hiebert. Victoria, BC: Noxious Sector Press, 2016.

Building Nature in Detroit: Ruin Aesthetics, Historical Gaps, and the Urban Agricultural Imagination.” gnovis 11. 2016.

Errant Bodies: Relational Aesthetics, Digital Communication, and the Autistic Analogy.” Disability Studies Quarterly 35 (4). 2015.

Tripping Over Our Bootstraps: Open Source Ecology and the Promise of Liberational Technology.Model View Culture 22. June 8 2015.

The Problem with Non-Human Phenomenology: Or, What is it Like to Be a Kinect?” InVisible Culture 22. 2015.

Towards a Queer Mythology.” Serpentine Magazine. 9 February 2015.

Seeing Yourself Strangely: Media Mirroring and the Third Eye Project.Virtual Creativity 4 (2). 2014.

Renaissance Robotics: Leonardo da Vinci’s Lost Knight and Enlivened Materiality.” Shift Graduate Journal of Visual and Material Culture 7. 2014.

Disorientations: John Singer Sargent and Queer Phenomenology.” Electronic Melbourne Art Journal (EMAJ) No. 7. 30 November 2013.

“It Makes Us Feel Missed.” Foreword to Messages To: The Edmonton Remand Centre Newspaper. Winnipeg: Bond Publishing, 2012.

“Is This Tree Still Growing?: An Exhibition Catalog for The Collective Memory Project: Responses to Eugenics in Alberta.” Faculty of Extension, 23 October 2011.

Writing Residency. Latitude 53 Blog. 11 April- 28 September 2011.